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Wednesday, April 16, 2003

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Christopher Myers


Powwow Power: In a cinder block, windowless rec-center room, Keith Colston leans forward in his metal chair,... | Charmed Life by Charles Cohen

Epidemic Proportions: Though the war in Iraq is drawing to a close, public-health officials are still grappling with the... | Embedded by Ericka Blount Danois

How's it Goin?: by Uli Loskot

Leggo That Ego: The Nose found itself face to face with Gov. Robert Ehrlich on Wednesday, April 9, at a Rotary... | The Nose

The Mail | Mobtown Beat | Mobtown Beat | Feature



Hope Is Not a Plan: So begins the aftermath.We have the aftermath of three weeks of war, and the aftermath of three... | Political Animal by Brian Morton

Not Off the Presses: New York -- With the 2003 NBA playoffs slated to kick off on Saturday, April 19th, league... | Shirts and Skins by Eddie Matz

Dry Bones: Newcomers to Baltimore have only to ask a native's advice on interesting things to do and see in... | Third Eye by Afefe Tyehimba

Tit Fit: I'm 15 years old and as flat as a pancake. It's really embarrassing. | Think Mink by Mink Stole



Lulu Eightball: by Emily Flake

My Town Is Like No Other: April 6-13, 2003 | Funny Paper by Scocca & MacLeod



Jihad: The Trail of Political Islam by Gilles Kepel | Review by Blake de Pastino

Baghdad Diaries by Nuha al-Radi | Review by Lizzie Skurnick

After Jihad by Noah Feldman | Review by Lizzie Skurnick

Art | Stage



This Ain't No Disco: For its Third Outing, The Once.Twice Festival Isn't Fooling Around | Music by Bret McCabe

Bigger and Deffer: After a Year of Continuous Hype, the White Stripes Return White Hot | Music by Bret McCabe



Tales of Extraordinary Madness: The Man Who Brought You The Fly Takes on Spider | Film by Ian Grey

Spider | Review by Ian Grey

The Good Thief | Review by Eric Allen Hatch

Anger Management | Review by Joe MacLeod

Better Luck Tomorrow | Review by Tom Siebert

House of 1000 Corpses | Review by Joe MacLeod



Tiber River Tavern | Review by Richard Gorelick

Aladdin's Café | Review by Anna Ditkoff


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