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Wednesday, June 11, 2003

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Sam Holden


Dummy Up: Lania D'Agostino assures me she doesn't get weirded out by her work. | Charmed Life by Brennen Jensen

How's it Goin?: by Uli Loskot

Adam's RYBs: Remember the rybbies (Mobtown Beat, Nov. 20, 2002)? | The Nose

The Mail | Mobtown Beat | Feature | Mobtown Beat



Shoot the Messenger: At this point, it's probably like preaching to the deaf. | Political Animal by Brian Morton

In Re Sosa: In the crack of a bat the night of Tuesday, June 3, at Chicago's Wrigley Field, it all came... | Shirts and Skins by Eddie Matz

Something to Bragg About: A friend and I were talking about personal power, about how reliant people are on labels--Mrs. | Third Eye by Afefe Tyehimba

Parent Trap: I'm 19 years old and I want a baby. I'm not married or even in a steady relationship. | Think Mink by Mink Stole



Lulu Eightball: by Emily Flake

Uh-Oh . . Busted!: June 2-June 8, 2003 | Funny Paper by Scocca & MacLeod



Thief of Words by John Jaffe | Review by Tom Siebert

On the Nature of Human Romantic Interaction by Karl Iagnemma | Review by Frank Diller

My Life in Heavy Metal by Steve Almond | Review by Patrick Sullivan

Super Flat Times by Matthew Derby | Review by Sean Carton

The Music of Your Life by John Rowell | Review by Frank Diller

Stage | Stage



Echo Trails: Two Years After the Death of Takoma Park's John Fahey, New Releases Still Resonate with his Unique Sound | Music by Marc Masters

Tamm E Hunt | Review by Bret McCabe



Guerrillas in the Glitz: Baltimore Rockumentary Filmmakers Press the Independent Case--and the Flesh--at the 56th Annual Cannes Film Festival | Film by Chris Wood

B-Movie: Capturing The Friedmans' Creators Still Aren't Sure What to Expect | Film by Richard Gorelick

Capturing the Friedmans | Review by Richard Gorelick

Queen Kelly | Review by Eric Allen Hatch

2 Fast 2 Furious | Review by Joe MacLeod

Rugrats Go Wild | Review by Tom Siebert

Throne of Blood



Center City | Review by Richard Gorelick

Blue Cow Café | Review by Christopher Skokna

1.7th Generation | Review by Anna Ditkoff


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