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Wednesday, June 03, 2009


The New Meal: Tony Geraci and friends are transforming school food in Baltimore from farm to fork--and they want to take it national. | Feature by Edward Ericson Jr.

Overdue Inspection: Baltimore City Inspector General's Office finally releases report detailing two years' worth of work | Mobtown Beat by Edward Ericson Jr.

What's the 311? | Murder Ink | The Mail



Good Times: I can't help but smile. | Political Animal by Brian Morton



Dirt Farm: by Ben Claassen III

Important Comics: by Dina Kelberman

Lulu Eightball: by Emily Flake



Playtime: A surface sense of fun turns into something less playful in this group show | Art by Bret McCabe

Fang Fiction: What happens when a vampire novel becomes something else--or, pardon me, but your teeth are in my apocalyptic nightmare | Books by Bret McCabe

Fable for Two: An uncle and nephew re-examine their relationship in this entertaining debut | Stage by Bret McCabe

Curtain Time



The Rest Is Noise: From Schoenberg to . . . the Trail of Dead, it's all classical music to Hilary Hahn | Music by Geoffrey Himes

The Omnivore's Dilemma: Dirty Projector David Longstreth takes it one song--and countless genres--at a time | Music by Judy Berman

Sunn 0))): Monoliths and Dimensions | Review by Lee Gardner

Needle Gun: Afternoon Computer Umbrage | Review by Bret McCabe

Human Host: Creature Mountain | Review by Michael Byrne

Spectre: Internal Dynasty | Review by Michael Byrne

The Short List



Always the Groomsman . . .: Supporting player Bradley Cooper finally gets a comedy lead in The Hangover | Film by Wendy Ward

Every Little Step | Review by Anna Ditkoff

My Life in Ruins | Review by Bret McCabe

The Hangover | Review by Wendy Ward

The Girlfriend Experience | Review by Bret McCabe

The Serpent And The Rainbow | Review by Bret McCabe

Shallow Grave

Trainspotting | Review by Sono Motoyama

Angels and Demons | Review by Bret McCabe

Drag Me To Hell | Review by Robert Ignazio




The Wine Merchant | Review by Tim Hill

Quigley's Half-Irish Pub | Review by Michael Byrne

Eat Me


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